000 | 01868mam a2200409 a 4500 | ||
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001 | 1664948 | ||
003 | OSt | ||
005 | 20210930192445.0 | ||
008 | 940802s1995 nyu b 001 0 eng | ||
010 | _a 94033238 | ||
020 | _a0195094050 (hbk. : acidfree paper) | ||
020 | _a0195094069 (pbk. : acidfree paper) | ||
035 | _a(OCoLC)30976941 | ||
035 | _a(OCoLC)ocm30976941 | ||
035 | _a(NNC)1664948 | ||
040 |
_aDLC _cDLC _dDLC _dOrLoB |
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043 |
_an-us--- _acc----- _af------ |
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050 | 0 | 0 |
_aPS338.N4 _bO43 1995 |
082 | 0 | 0 |
_a809.2/008996073 _220 |
100 | 1 | _aOlaniyan, Tejumola. | |
245 | 1 | 0 |
_aScars of conquest/masks of resistance : _bthe invention of cultural identities in African, African-American, and Caribbean drama / _cTejumola Olaniyan. |
260 |
_aNew York : _bOxford University Press, _c1995. |
||
300 |
_axii, 196 p. ; _c25 cm. |
||
504 | _aIncludes bibliographical references (p. 171-190) and index. | ||
505 | 0 | _a1. Agones: The Constitution of a Practice -- 2. Difference, Differently -- 3. Wole Soyinka: "Race Retrieval" and Cultural Self-Apprehension -- 4. LeRoi Jones/Amiri Baraka: The Motion of History -- 5. Derek Walcott: Islands of History at a Rendezvous with a Muse -- 6. Ntozake Shange: The Vengeance of Difference, or The Gender of Black Cultural Identity -- 7. Subjectivities and Institutions. | |
600 | 1 | 0 |
_aBaraka, Amiri, _d1934-2014 _xCriticism and interpretation. |
600 | 1 | 0 |
_aShange, Ntozake _xCriticism and interpretation. |
600 | 1 | 0 |
_aWalcott, Derek _xDramatic works. |
600 | 1 | 0 |
_aSoyinka, Wole _xDramatic works. |
650 | 0 | 0 |
_aAmerican drama _xAfrican American authors _xHistory and criticism. |
650 | 0 | 0 | _aAfrican Americans in literature. |
650 | 0 | 0 | _aBlacks in literature. |
651 | 0 |
_aCaribbean Area _xIn literature. |
|
651 | 0 |
_aAfrica _xIn literature. |
|
900 | _bTOC | ||
942 |
_2lcc _cBK |
||
999 |
_c2690 _d2690 |