000			01863mam a22003258a 4500
001			1576432
003			OSt
005			20210930192434.0
008			940803s1994 nyu 000 1 eng
010			_a 94034305
020			_a0814780121
035			_a(OCoLC)ocm31010794
040			_aDLC _cDLC _dJED _dSVP _dGZM$dOrLoB _dOrLoB
050	0	0	_aPS3569.V6 _bC36 1994
082	0	0	_a813/.54 _220
100	1		_aSvoboda, Terese.
245	1	0	_aCannibal / _cTerese Svoboda.
260			_aNew York : _bNew York University Press, _cc1994.
263			_a9409
300			_a143 p. ; _c22 cm.
520			_aCannibal is Africa from the inside - inside the head of a woman who fears that the man she loves is CIA, that the film they're supposed to make is his cover, that she might be pregnant. A haunting story of survival, Cannibal lays bare a woman's greatest hungers. Known as Good-For-Nothing by the Africans - unfit for the climate, the work, or friendship, she struggles for recognition, and for her life.
520	8		_aWhat she finds, wandering the savannah for months, are the "blue people," those with AIDS who have been left to die in an abandoned British outpost. But this is only counterpoint to her own predicament. "Trust hasn't enough syllables," she says, regarding her lover walking ahead of her. "He doesn't look at it. I can't not look, but he won't look." In Cannibal, nobody wants to look - the differences are too frightening, the truth too stark, the love too little.
520	8		_aA step beyond Heart of Darkness, Cannibal is the virtual reality of exotic paranoia where, when the images break apart, Death grins out.
650		0	_aMan-woman relationships _zAfrica _vFiction.
650		0	_aAIDS (Disease) _zAfrica _vFiction.
651		0	_aAfrica _vFiction.
655		7	_aPsychological fiction. _2lcsh
900			_bTOC
942			_2lcc _cBK
999			_c2667 _d2667