MARC details
000 -LEADER |
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07157cam a22009017a 4500 |
001 - CONTROL NUMBER |
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19496032 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
LIBRIS |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20210930193441.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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160607s2014 xxu o|||||||||||eng|c |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781441125125 (electronic) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781441172365 (print) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
EBL1728064 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)883568876 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(AU-PeEL)EBL1728064 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
AU-PeEL |
Language of cataloging |
eng |
Transcribing agency |
AU-PeEL |
Modifying agency |
AU-PeEL |
-- |
Gdig |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1995.9.P7 -- .B49 2014eb |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.430232 |
Edition number |
23 |
084 ## - OTHER CLASSIFICATION NUMBER |
Classification number |
Imac |
Number source |
kssb/8 (machine generated) |
245 10 - TITLE STATEMENT |
Title |
Beyond the bottom line |
Medium |
[Elektronisk resurs] : |
Remainder of title |
the producer in film and television studies / |
Statement of responsibility, etc. |
edited by Andrew Spicer, A.T. McKenna, Christopher Meir |
250 ## - EDITION STATEMENT |
Edition statement |
1st ed. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New York : |
Name of publisher, distributor, etc. |
Bloomsbury, |
Date of publication, distribution, etc. |
2014. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (306 p.) |
500 ## - GENERAL NOTE |
General note |
Description based upon print version of record. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Cover -- Half-title -- Title -- Copyright -- Contents -- List of Illustrations -- Contributors -- Acknowledgements -- 1 Introduction -- Unreliable histories and self-made scapegoats -- Media industry studies -- Contributors and contexts -- Notes -- Part One: Theoretical and Historical Contexts -- 2 'A Judge of Anything and Everything': Charles Urban and the Role of the 'Producer-Collaborator' in Early British Film -- The 'producer-artist' and 'producer-collaborator' -- 'One happy family': Producer-collaboration in Urban's British production companies, 1897-1915 |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Film producers in early British fi lm history -- Notes -- 3 Mapping a Typology of the Film Producer - Or, Six Producers in Search of an Author -- The context of current film production in Norway -- Outlining a producer-oriented approach to adaptation studies -- A brief summary of Norwegian adaptations -- Adaptation as a key to a producer profile -- Business decisions as exercising creativity -- The archetypes: The blockbuster producer and the art cinema producer -- The intermediates -- Nurturing producers -- The accommodating producers |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
The producer profile grid: Mapping a typology of the film producer -- Notes -- 4 The Independent Producer and the State: Simon Relph, Government Policy and the British Film Industry, 1980-2005 -- Introduction -- Becoming an independent producer: Skreba and Greenpoint -- British Screen: Market stimulation, not subsidy -- The achievements of British Screen -- National Lottery money and the film franchises -- The Film Consortium -- Supporting indigenous production: The Relph Report and trying to establish a studio -- Conclusion -- Acknowledgements -- Notes |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
5 Producing the Self: The Film Producer's Labour and Professional Identity in the UK Creative Economy -- Introduction -- UK cultural policy and the cultivation of production -- Understanding the producer's role -- Making a living -- Tensions between commerce and creativity in the producer's role -- Conclusion -- Notes -- 6 Producer and Director? Or, 'Authorship' in 1950s Italian Cinema -- The general production context -- Lux: General characteristics and mode of operation -- Titanus: General characteristics and mode of operation -- The making of Senso : Producer and auteur |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
The making of Rocco and His Brothers : Producer and auteur -- Conclusion -- Archive sources -- Notes -- 7 The Australian Screen Producer in Transition -- Theoretical background -- Surveying the producer -- Emerging themes -- Conclusion -- Notes -- Part Two: Media and Genre Contexts -- 8 The Producer in Animation: Creativity and Commerce from Bray Studios to Pixar -- 4,000 drawings: Early production processes and the rise of the animation producer -- The producer as author: The Fleischer brothers and Sullivan Studio -- The producer as artist: The development of Disney Studios |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
The producer as curator: Leon Schlesinger and Warner Bros. Studios |
520 8# - SUMMARY, ETC. |
Summary, etc. |
This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students. |
600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME |
Source of heading or term |
LCC |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures |
General subdivision |
Production and direction |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Television |
General subdivision |
Production and direction |
Authority record control number or standard number |
159028 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion picture industry |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Television broadcasting. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Filmproduktion |
Source of heading or term |
sao |
Authority record control number or standard number |
145001 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Tv-produktion |
Source of heading or term |
sao |
Authority record control number or standard number |
168064 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Filmbranschen |
Source of heading or term |
sao |
Authority record control number or standard number |
144990 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Television |
Source of heading or term |
sao |
Authority record control number or standard number |
159028 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures |
General subdivision |
Production and direction |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Television broadcasting |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion picture industry |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Television |
General subdivision |
Production and direction |
655 #0 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic books. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Spicer, Andrew, |
Dates associated with a name |
1953- |
Relator term |
editor of compilation |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
McKenna, A. T. |
Fuller form of name |
(Anthony T.), |
Relator term |
editor of compilation |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Meir, Christopher, |
Relator term |
editor of compilation |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
Relationship information |
Print: |
Main entry heading |
Spicer, Andrew |
Title |
Beyond the bottom line : the producer in film and television studies |
Place, publisher, and date of publication |
2014 |
International Standard Book Number |
9781441172365 |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="http://ezproxy.ub.gu.se/login?url=http://GU.eblib.com/patron/FullRecord.aspx?p=1728064">http://ezproxy.ub.gu.se/login?url=http://GU.eblib.com/patron/FullRecord.aspx?p=1728064</a> |
Public note |
Tillg�nglig f�r G�teborgs universitet / Online access for the University of Gothenburg |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Library of Congress Classification |
Koha item type |
Books |