Beyond the bottom line (Record no. 3483)

MARC details
000 -LEADER
fixed length control field 07157cam a22009017a 4500
001 - CONTROL NUMBER
control field 19496032
003 - CONTROL NUMBER IDENTIFIER
control field LIBRIS
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20210930193441.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 160607s2014 xxu o|||||||||||eng|c
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781441125125 (electronic)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781441172365 (print)
035 ## - SYSTEM CONTROL NUMBER
System control number EBL1728064
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)883568876
035 ## - SYSTEM CONTROL NUMBER
System control number (AU-PeEL)EBL1728064
040 ## - CATALOGING SOURCE
Original cataloging agency AU-PeEL
Language of cataloging eng
Transcribing agency AU-PeEL
Modifying agency AU-PeEL
-- Gdig
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1995.9.P7 -- .B49 2014eb
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.430232
Edition number 23
084 ## - OTHER CLASSIFICATION NUMBER
Classification number Imac
Number source kssb/8 (machine generated)
245 10 - TITLE STATEMENT
Title Beyond the bottom line
Medium [Elektronisk resurs] :
Remainder of title the producer in film and television studies /
Statement of responsibility, etc. edited by Andrew Spicer, A.T. McKenna, Christopher Meir
250 ## - EDITION STATEMENT
Edition statement 1st ed.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. New York :
Name of publisher, distributor, etc. Bloomsbury,
Date of publication, distribution, etc. 2014.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (306 p.)
500 ## - GENERAL NOTE
General note Description based upon print version of record.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Half-title -- Title -- Copyright -- Contents -- List of Illustrations -- Contributors -- Acknowledgements -- 1 Introduction -- Unreliable histories and self-made scapegoats -- Media industry studies -- Contributors and contexts -- Notes -- Part One: Theoretical and Historical Contexts -- 2 'A Judge of Anything and Everything': Charles Urban and the Role of the 'Producer-Collaborator' in Early British Film -- The 'producer-artist' and 'producer-collaborator' -- 'One happy family': Producer-collaboration in Urban's British production companies, 1897-1915
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Film producers in early British fi lm history -- Notes -- 3 Mapping a Typology of the Film Producer - Or, Six Producers in Search of an Author -- The context of current film production in Norway -- Outlining a producer-oriented approach to adaptation studies -- A brief summary of Norwegian adaptations -- Adaptation as a key to a producer profile -- Business decisions as exercising creativity -- The archetypes: The blockbuster producer and the art cinema producer -- The intermediates -- Nurturing producers -- The accommodating producers
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note The producer profile grid: Mapping a typology of the film producer -- Notes -- 4 The Independent Producer and the State: Simon Relph, Government Policy and the British Film Industry, 1980-2005 -- Introduction -- Becoming an independent producer: Skreba and Greenpoint -- British Screen: Market stimulation, not subsidy -- The achievements of British Screen -- National Lottery money and the film franchises -- The Film Consortium -- Supporting indigenous production: The Relph Report and trying to establish a studio -- Conclusion -- Acknowledgements -- Notes
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 5 Producing the Self: The Film Producer's Labour and Professional Identity in the UK Creative Economy -- Introduction -- UK cultural policy and the cultivation of production -- Understanding the producer's role -- Making a living -- Tensions between commerce and creativity in the producer's role -- Conclusion -- Notes -- 6 Producer and Director? Or, 'Authorship' in 1950s Italian Cinema -- The general production context -- Lux: General characteristics and mode of operation -- Titanus: General characteristics and mode of operation -- The making of Senso : Producer and auteur
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note The making of Rocco and His Brothers : Producer and auteur -- Conclusion -- Archive sources -- Notes -- 7 The Australian Screen Producer in Transition -- Theoretical background -- Surveying the producer -- Emerging themes -- Conclusion -- Notes -- Part Two: Media and Genre Contexts -- 8 The Producer in Animation: Creativity and Commerce from Bray Studios to Pixar -- 4,000 drawings: Early production processes and the rise of the animation producer -- The producer as author: The Fleischer brothers and Sullivan Studio -- The producer as artist: The development of Disney Studios
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note The producer as curator: Leon Schlesinger and Warner Bros. Studios
520 8# - SUMMARY, ETC.
Summary, etc. This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.
600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME
Source of heading or term LCC
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion pictures
General subdivision Production and direction
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Television
General subdivision Production and direction
Authority record control number or standard number 159028
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion picture industry
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Television broadcasting.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Filmproduktion
Source of heading or term sao
Authority record control number or standard number 145001
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Tv-produktion
Source of heading or term sao
Authority record control number or standard number 168064
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Filmbranschen
Source of heading or term sao
Authority record control number or standard number 144990
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Television
Source of heading or term sao
Authority record control number or standard number 159028
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion pictures
General subdivision Production and direction
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Television broadcasting
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion picture industry
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Television
General subdivision Production and direction
655 #0 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Spicer, Andrew,
Dates associated with a name 1953-
Relator term editor of compilation
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name McKenna, A. T.
Fuller form of name (Anthony T.),
Relator term editor of compilation
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Meir, Christopher,
Relator term editor of compilation
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print:
Main entry heading Spicer, Andrew
Title Beyond the bottom line : the producer in film and television studies
Place, publisher, and date of publication 2014
International Standard Book Number 9781441172365
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="http://ezproxy.ub.gu.se/login?url=http://GU.eblib.com/patron/FullRecord.aspx?p=1728064">http://ezproxy.ub.gu.se/login?url=http://GU.eblib.com/patron/FullRecord.aspx?p=1728064</a>
Public note Tillg�nglig f�r G�teborgs universitet / Online access for the University of Gothenburg
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     Kwara State University Library Kwara State University Library   2017-01-26   PN1995.B49 2014 016196-01 2017-01-26 2017-01-26 Books
    Library of Congress Classification     Kwara State University Library Kwara State University Library   2017-01-26   PN1995.B49 2014 016196-02 2017-01-26 2017-01-26 Books
    Library of Congress Classification     Kwara State University Library Kwara State University Library   2017-01-26   PN1995.B49 2014 016196-03 2017-01-26 2017-01-26 Books